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			<image:loc>https://freight.cargo.site/t/original/i/5149603daf80b4a03336d217e5593d6bbadbdca3028a13633e9283d3637723a8/vicuna_install.jpeg</image:loc>
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	</url>
	<url> 
		<loc>https://anatuazon.info/Southeast-Queens-Biennial-A-Locus-of-Moving-Points</loc> 
		<lastmod>2020-10-19T19:02:39+00:00</lastmod>
		<changefreq>always</changefreq>
		<priority>0.5</priority>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/35d2489b7211e481e8fa9e8b6fd328e9235b3cce4eebf0b5ad67d19df972bfec/D75_6364_CREDIT-IAN-DOUGLAS-2.jpg</image:loc>
			<image:caption>Shervone Neckles (L to R): "Give &#38; Take/Terciopelo: Germinate", 2014-16, "Give and Take/Terciopelo: Touched", 2014-16, "Give and Take/Terciopelo: Bush Woman", 2014</image:caption>
		</image:image>
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			<image:loc>https://freight.cargo.site/t/original/i/88188efd787f52535e7940099d216986b1a7bf4c1c23d267fb70d0f731ee6e05/D854232_CREDIT-IAN-DOUGLAS-1.jpg</image:loc>
			<image:caption>Sana Musasama, "Stop," 1994, and "Sugar vs. Sap," 1992</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/0b19a67f53b428c7fc26777d90dda34dc30745b54e992fdc99f0632e89608f71/D854244_CREDIT-IAN-DOUGLAS-1.jpg</image:loc>
			<image:caption>Detail, Sana Musasama, "Stop", 1994, and "Sugar vs. Sap," 1992</image:caption>
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		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/79a7ac92c3017dc46d3f83dea47b7bf99d8cbdfe51b5bf3d9c11c015eb12dc06/D854152_CREDIT-IAN-DOUGLAS-1.jpg</image:loc>
			<image:caption>Janet Henry, "Democracy," 2017. Commissioned by NLE Curatorial Lab for the inaugural Southeast Queens Biennial: A Locus of Moving Points</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/ff2b969525fcb7490cf8dc60746d553206288de3cd01077f7222602d60d8f019/D854328_CREDIT-IAN-DOUGLAS-1.jpg</image:loc>
			<image:caption>Odathrowback, "DNA – York: A Portrait in Southeast Queens", 2018. Commissioned by NLE Curatorial Lab for the inaugural Southeast Queens Biennial: A Locus of Moving Points</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/f483c6458e3fc33eb2bda9569c8b44fe6709842a035bf82b13d600a6f379ad36/D854194_CREDIT-IAN-DOUGLAS-1.jpg</image:loc>
			<image:caption>Exhibition view left to right: Okechukwu Okegrass Ofiaeli, Natali S. Bravo-Barbee, Damali Abrams the Glitter Priestess, Elizabeth Velazquez</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/be0705d239c502b56f101e9f027c19b8e1a33f95bcf176a5ee2dfbcaf96808e1/D75_6181_CREDIT-IAN-DOUGLAS.jpg</image:loc>
			<image:caption>Rejin Leys, "Boat People Three Passages", 1993 (1 of 3)</image:caption>
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		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/e9272512056b7330f4d4658579c6dff3183666cbdd314c284b47395850cc4b5e/D75_6191_CREDIT-IAN-DOUGLAS.jpg</image:loc>
			<image:caption>Salimah Ali, "Old Wisdom," 2017</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/04c49d012d9d3015c0515f364d3a0baa04781e943ea9e338684136cb93e71c5b/D75_6204_CREDIT-IAN-DOUGLAS.jpg</image:loc>
			<image:caption>Corona Johnson, "Tweens in the Street", 1977</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/c1fa47bdd20ac0767eb67c088a892329dc300c140e45b049dc8f80232de99e8c/D75_6207_CREDIT-IAN-DOUGLAS.jpg</image:loc>
			<image:caption>Ify Chiejina, "Dying to Dream, La Perseverancià, Claridad y Fe", 2015</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/3551e2996037644772d076610856b4420e9e0fce5345f7c15f037fe11f5e46d4/D75_6291_CREDIT-IAN-DOUGLAS.jpg</image:loc>
			<image:caption>Damali Abrams the Glitter Priestess, "All We Do Is Win", 2017</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/68fb2e79d4bdb1ef10d711f0749ac681381b924105bcfd0569973bf9d6e699a8/D75_6296_CREDIT-IAN-DOUGLAS.jpg</image:loc>
			<image:caption>Exhibition view of Notations in Passing, Queens Borough Public Library</image:caption>
		</image:image>
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			<image:loc>https://freight.cargo.site/t/original/i/3a796990e11b8b113e79e5a2e4d61e0b1b3f22d7793c07df771149388eabe818/D75_6312_CREDIT-IAN-DOUGLAS-1.jpg</image:loc>
			<image:caption>Exhibition view of Notations in Passing, Queens Borough Public Library</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/9168658d268556c08cbd6b1863c7e41f1178317b260d2792da49e6076a591e65/D75_6325_CREDIT-IAN-DOUGLAS-1.jpg</image:loc>
			<image:caption>Elizabeth Velazquez, 2017. Commissioned by NLE Curatorial Lab for the inaugural Southeast Queens Biennial: A Locus of Moving Points</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/a6664dd19bd277ab3ebf6a0a4cbd348717cfce85acb2801aa07c15681ca2b3db/D854075_CREDIT-IAN-DOUGLAS-1.jpg</image:loc>
			<image:caption>Installation view, Okechukwu Okegrass Ofiaeli, 2017</image:caption>
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		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/cbe625dbb10ef62ddc0751a40455a87336eac4a3f5695f605760b38ea88ae966/D854129_CREDIT-IAN-DOUGLAS.jpg</image:loc>
			<image:caption>Shervone Neckles, "Tools, Weapons &#38; Rituals #1", 2016</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/c5360ae041102bd66c82d6dcbc0895045d1416e144c8f3039c98736b25f7efc7/D854217_CREDIT-IAN-DOUGLAS-1.jpg</image:loc>
			<image:caption>Janet Henry, "Words of Love", 1983 (Detail)</image:caption>
		</image:image>
	</url>
	<url> 
		<loc>https://anatuazon.info/Everybody-s-Got-a-Right-to-Live</loc> 
		<lastmod>2020-10-19T19:02:20+00:00</lastmod>
		<changefreq>always</changefreq>
		<priority>0.5</priority>
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			<image:loc>https://freight.cargo.site/t/original/i/7c4f0a95d6edac999f4b0b2b1151abd2a2d15f144cb89b303e38438e548913b9/_MG_7387_o.jpg</image:loc>
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			<image:loc>https://freight.cargo.site/t/original/i/841241b1d34f6295a31a60f2405e567282a433b883bfb85f66c7fa3e82f4ed2f/_MG_7384_o.jpg</image:loc>
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			<image:loc>https://freight.cargo.site/t/original/i/cb0ee909145ceb65e8f6e04db805a867bcdbb3a41359907d39fb1bd177d411ef/_MG_7410_o.jpg</image:loc>
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			<image:loc>https://freight.cargo.site/t/original/i/eecdd6ac639fb109d36ff21430c3a04886c344082651e8c3da85924dffca5ab0/_MG_7417_o.jpg</image:loc>
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			<image:loc>https://freight.cargo.site/t/original/i/a54be1e55d93da5389c08337bf03bf3b1307e8a85cdf691fe11e4990a65cf8f2/_MG_7391_o.jpg</image:loc>
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	</url>
	<url> 
		<loc>https://anatuazon.info/Countermythologies</loc> 
		<lastmod>2020-10-19T20:45:41+00:00</lastmod>
		<changefreq>always</changefreq>
		<priority>0.5</priority>
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			<image:loc>https://freight.cargo.site/t/original/i/5f7b489b6a0d202bfd5fca3666c600a8a35a6bf9ed6a248a3a6863ab6fb3edb0/NXTHVN_Countermythologies_Digital_Postcard_02.jpg</image:loc>
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			<image:loc>https://freight.cargo.site/t/original/i/49333d109c7ab52471174d2276c1c7fc55a3a644e666afb6a272911312509cf7/DSC04884_o.jpeg</image:loc>
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			<image:loc>https://freight.cargo.site/t/original/i/7b0b625e847828442fa500f26960bd68014608845a9c8ea456fdde399a500cbf/DSC05110_o.jpeg</image:loc>
			<image:caption>Jesse Chun’s "voiceless consonants"</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/ea3779cb4c4941dce2448837f00972d49e0efcb2300dc7d47af85d09eefe3928/DSC01443.jpeg</image:loc>
			<image:caption>Installation view of Tavares Strachan’s "You Belong Here (Yellow)" and Jesse Chun’s "voiceless consonants"</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/b53af6f6f513e2df5c93c64117d683b555fde0db0773a3551343e68da81094d3/DSC05009-2_o.jpeg</image:loc>
			<image:caption>Installation view of Bethany Collins’ "America: a Hymnal" and "Do you know them? (1897)", also pictured is Edgar Arceneaux’s "First Dress: Frank Lawson as Ben Vereen as Bert Williams"</image:caption>
		</image:image>
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			<image:loc>https://freight.cargo.site/t/original/i/2b5fce62cc4c3ce4c10ea8f044d3c4c03261ca0ccdfe75df984bd2c7e8ac2464/DSC05082_o.jpeg</image:loc>
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			<image:loc>https://freight.cargo.site/t/original/i/96a62692bbd5e77d81a0514c8933638b355a71d6cbc0a1b98e0726d0ac1085c7/DSC05003_o.jpeg</image:loc>
			<image:caption>Bethany Collins, "Do you know them? (1897)"</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/c1672f40463a54740f6147e519a5066fc556091c18af99911d31f00964ba8c1b/DSC04817_o.jpeg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/3ec388171b5099bf84f6a51db1897ff83ca30d33206a1189a48ba49212ffeb20/DSC01297.jpeg</image:loc>
			<image:caption>Installation view of Jarrett Key’s "Hair Painting #15"</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/052b1658fc23b24b1731c72344cffc7ba0c5d04cdb76ee6ef9b75d0c8f915a25/DSC01319-2.jpeg</image:loc>
			<image:caption>Xaviera Simmons, "Sundown (Number Fifteen)"</image:caption>
		</image:image>
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			<image:loc>https://freight.cargo.site/t/original/i/4df8214db760754eedd599d366442b67232b32c38f6b1b6df978cf411f3382dd/DSC01488.jpeg</image:loc>
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			<image:loc>https://freight.cargo.site/t/original/i/ea18375159597de1fbb77231d10236b23cfa526bccafb100de3fd869b64e0c28/DSC04875_o.jpeg</image:loc>
			<image:caption>(L to R) Installation v iew of Xaviera Simmons’ "Sundown (Number Fifteen)", "The Gold Miner’s Mission to Dwell on the Tide Line", and Edgar Arceneaux’s "Red Ronnie"</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/441c2c247d42de7dfcac4607da241a8f49c89d7bdbc9bc90594f50823d055ea9/DSC04819.jpeg</image:loc>
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			<image:loc>https://freight.cargo.site/t/original/i/eec7855dbafe127e8d56e0b8551a01f62d6163b0b0413aec1338faeb6ee65afd/DSC05028_o.jpeg</image:loc>
			<image:caption>Installation view of Firelei Baez’s "living monuments in historical chapters" and "Chrono-DREAMer"</image:caption>
		</image:image>
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			<image:loc>https://freight.cargo.site/t/original/i/cae0d19424a4c91e2eaa508f45dcceefa2dee3d5b6ec2182b1ee2372086be415/DSC05043_o.jpeg</image:loc>
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	</url>
	<url> 
		<loc>https://anatuazon.info/Pindell</loc> 
		<lastmod>2021-12-01T08:21:19+00:00</lastmod>
		<changefreq>always</changefreq>
		<priority>0.5</priority>
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	</url>
	<url> 
		<loc>https://anatuazon.info/Rewrite-the-World</loc> 
		<lastmod>2021-05-07T03:45:56+00:00</lastmod>
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			<image:caption>Cecilia Vicuña, Eman si pasión (Emancipation/Participation), 1974/2016, silkscreen on paper, edition of 10, courtesy of the artist and Lehmann Maupin, New York, Hong Kong, Seoul, and London. © Cecilia Vicuña</image:caption>
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